I created this split on two level garden some time ago now. The one thing I love about it, is just that. Well, that and the fact that, just a couple of metres away, there is a journey to get to somewhere else that isn’t actually that far away.
Surprisingly that’s a bit of a rarity installed in the thinking behind many a gardens. In that I refer to the journey, of the imagination and the within the garden. More than that, there’s something in our Irish genetic make up that makes us want to go around that corner, to that place that feels that little further away. In garden design, that’s a good thing. That intrigue, makes a space more interesting and instills a sense of wonder that is the reason why, maybe, some gardens feel better than others as a getaway, an escape or a haven.
In reality, this garden isn’t that long. ie. from back door to back wall. But with the longest points from one angle to the other used to its best, it definitely does not feel that way.
I like to think of the setting now being slightly Rolling Stones on vinyl as versus brand spanking new shiny compact disc. Partly that has come by way of what the space pre my gettingthere inherited. It’s also a lot down to the new planting – which was a mixture of semi mature instant and brand spanking new youth – this giving the resulting fresh umph; A sort of looks like its been there for ages, yet extremely well maintained, with a hint of fresh. Behind the scenes however, it was a very different story that began with just a pile of clay.
Although it may be considered sometimes mildly bold the use of a feature colour in garden design, when one looks back through the ages and historically we quickly realise there is absolutely nothing new to its use at all.
Red seems to resonate more with some when referring to Oriental themed type gardens – a garden style that uses a usually green or basic colour range, at least when compared to that of the olde English type herbaceous borders. Historic, avant-garde or modern-day, that it is used to lead the eye from afar or [reworded maybe] to draw one to a particular space, in its most basic explanation what it does is change entirely what would have been a pretty bland and monotone photograph.
The following examples and explanations show that there is little variance behind the theory in the usage of the colour. More than that it also shows when used correctly just how effective one colour can change the entire feel of a gardens design and your space outside.
1. The Monte Palace Tropical Gardens
On the go since the 18th Century – The Monte Palace Tropical Gardens are one of my all time favourites ever visited. But, can you picture just how boring [?] this image might be if the red was removed ? It may well be exciting to the plants person or horticulturist like myself, from afar or when up close – but as a garden to draw one in – would it actually do that ?
2. A Red Garden Bench
A stark change from The Monte Palace Gardens of Madeira but – this is the most basic format in which I have used and can show this theory – put simple, a bright colour against a neutral backdrop. A solitary garden seat that prior to was beige and appeared so, aged in appearance on a dark shaded side to the garden that very simply needed a lift. Personally, I knew I liked sitting here – but it just didn’t feel it was entirely me when it was just so bland. Can you picture the grey beige bench ? A much, much happier place to sit and have a coffee now.
3. The Red Dead Tree
Just like the walkway of the Monte Palace Tropical Gardens, the colour palette I used in this garden is a smooth groove from brown to yellow to green – all great neighbours on the colour wheel. What was required was something that would stand out whilst the similar coloured flowering Penstemons were not in flower, yet also compliment when they were. The red-painted dead Sophora isn’t as stark and unusual as one might think in situ – yet just enough to bolt some inspiration into a fairly solid toned plant choice colour base.
4. The Red Satellite
Once again the colour palette here is quite close on the spectrum, but it was my recycling of my own satellite painted bright red that created the highlight in this garden. Sometimes it is the mildly unusual, highlighted, that can change the entire image of how a garden is perceived. Just imagine for a moment [once again] if you can how this garden might have looked had I chosen not to use it ?
5. The Red Exhaust Pipe Bird Feeder
The exhaust pipe bird feeder – a little different, a little intrigue and whilst the planting had a little to go in order to make this image a little more picturesque, it is clear to see that yet again the neutral colour scheme is used to highlight the more unusual. Imagine if you will, that all the plants are red ? In which case I’d most likely have painted the exhaust pipe photosynthetic green.
And the more we think about it – the more we see it. Masses of green with red being used to highlight where we are intended to go towards and what it is the [beauty is in the eye of] beholder actually wants us to see. Highbury Stadium maybe an unusual one to finish off with but as an image, it proves the point – once again, just imagine if you will for a moment, should the seats be coloured green…. or see below.
It was a weekend ago that I decided to do the grow your own gardening course. And whilst the weather turned good I had to wait ’til now to do my synopsis of it.
The attendees in this case were 75% [approximate] apartment dwellers/ balcony owners. the other 25% only wished to garden that same amount of space [unless Nick came up with a great idea đ ]. Of course, if everyone had allotments/ waned to garden a larger space – parsley *and parsnip would have been covered. In this case a logic decision to skip most of the root crops was taken…. think rotovator and balcony!
I covered all that I intended and felt was needed from sowing seeds – what, which and why to watering. Onto potatoes, onions, sets growing in window boxes and to plants in a small space such as herbs and the pruning, growing and selecting of so that they could be kept there. I could beat on but Louise really does summise it very well.
From an alternate perspective. Did the âŹ60 cover charge multiplied by 7 people make it worth my while to do so. No. Not on your nelly. The reason why? We did demonstrations and all of the products [one each of everything] used were taken away. I knew to make money, how I should do it and a comment on the garden blog confirms that. That and the twitter message. No offence Geoff mate đ
Try it yourself. Go into a garden centre, pick up some seed potatoes, onion sets, 2/3 window boxes, some pots, compost and seeds and see how much it costs…. growing your own can be cheap… when you know how đ If I’m to talk however on garden design with zero overheads…. Ye know yourself. Moving on….
The flip side of that however is something very different. Did I enjoy it ? More than you realise. I really am so pleased that such a nice group of people collated so I could talk about something I love so much.
I know that doesn’t pay the bills. It doesn’t even cover the time spent baking and collecting the products we did use. And yes if I wish to do it again and again I need to refine. But then I knew that already. It was always to be a trial. A way of noting and timing. Perfecting one could say. Perfecting for those those who do attend.
Now I’m just wondering if there’s another 9 or 10 people who’d be interested…. While I brew on that… I’ll go water my own seeds.
note: it was Jason’s idea that I did this in the first place. Thanks mate. I also borrowed some of his images for this post.
No Rubber Soul. Silver Medal Winner. My Garden for Bloom 2007.
I love this garden. I really do. I had no sponsor. I was advised not to do it. Nobody knew what Bloom was really and although I had won awards for garden design and landscaping, this was my first *show* garden. I don’t even think I knew what a weblog was when I did this garden so there really doesn’t exist that many photographs of ‘No rubber- soul’ the garden. For some reason or another it became know as the Car-Den. Enjoy!
Peter Donegans garden design âNo Rubber- Soulâ won silver in the large garden category in the inaugural year of Bloom in the Phoenix Park Friday 1st June 2007. During the 20 day deadline over 1,500 plants; 50 square metres of rolled lawn; 4 tonne of recycled compost; 5 tonnes of recycled bark chippings; 6 tonnes of recycled tree stumps one 1965 morris minor and an outdoor flat screen television.
Despite the rainfall over the bank holiday weekend over 50,000 people still flocked to see the unsponsored garden. No decking, no paving, no additives or preservativesâŚ. Imagine sitting within two thirds of a 1965 Morris Minor, watching the television, smokes plumes through the front grill of your car and you sit back and watch nature and plant life grow around you. This is the garden that has no rubber but lots of soul. Built from 100% recycled and/ or recyclable products. Take a trip back to 1965 when men used shovels and gardens had soul.
Built to commemorate the many Irish men with initially, great intentions who promise to restore and rebuild projects but sometimes are never fully completed; it has been slightly adapted to via audio visual equipment to become an entertainment area of sorts and it should give the appearance that whilst unwillingly forgotten, the life of the garden continued to flourish around it.
You want to get the garden designed. You have already tried and after spending the entire lottery, it still looks humerous. The sun is shining. The neighbours have just started the barbeque. You own a jungle. Where do you start?
If this is you? then, at âŹ4.50 [not bad value at all!] the winter issue of Self Build Extend & Renovate Ireland, is exactly the read you are looking for. Of course it is written by yours truly – and to pat myself on the back just that little more… it is really good, sound advice on how, when and why you should should consider a garden.
Some of the articles I have written previous are almost specialist in their topic – but this is one I feel is one that everyone can identify with.
The intro may suggest barbeques [what đ ] but – this is all about planning. Planning I say not in the sense of a cheap garden look, moreso in that the maximum return is achieved from one’s budget.
Available in all good newsagents, bookstores etc. Or purchase it online.
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In The Beginning
Probably one of the most difficult guarantees any horticulturist can give is a definite improbability that any plant is going to live. The reality is that a plant is defined as âa living organism that grows in the ground and lacks the power of movementâ. This explains so much, and knowing that a living organism must endure not only the delightful elements of our weather, but that a little more hindrance must be catered for by our green friends when we put it in a place it would not prefer to be in the first instance.
I spent some of my spare time looking through an old bookstall recently looking for inspiration from old horticultural books. One gem I did find was âThe All Year Gardenâ by Margery Fish (first published 1958). Whilst thoughts, styles and ideals may have changed in the last fifty years, the truth is plants and their definition has not. The preface of her book says of Mrs Fish that âIt is, perhaps, encouraging to know that Mrs Fish has acquired her gardening knowledge by her own practical experience as an amateur, since she went to live in Somerset in 1938.â In her earlier book she was of the opinion that âIt is only possible to make a garden with no off-moments by careful selection of flowering plants and the use of foliage and berried plants.â Thus, if you know the type of ground you have, all you need do is match it to your favourite plants.
Is gardening that easy? Fish, an amateur by her own admission, very simply understood plants and understood that for a successful garden, one should prepare and plan very carefully. It is true that soil type (see Summer 2007 where this is discussed in more detail), plays a major factor in successful plant growth, but if this understanding is in place then the soil that you have inherited or somewhat adapted should not pose a problem.
The beauty about horticulture now is that you can read this article and have an understanding of what type of garden you can have, but you donât have to wait through twenty years of experience to know that you have got it right, eventually. Nowadays there are many qualified horticulturalists to guide you. As their client you just need to decide what style or concept you wish and let them work out the details. You may take over at any time or leave the professional to complete the journey on your behalf.
Most people who possess anything like an acre, or half of it, contribute to the support of a gentleman known as the jobbing gardener. Be warned of the danger that he may prove to be Garden Pest No.1.
C.E Lucas-Phillips, The Small Garden 1952
If all this is virgin territory to you then going it alone is likely to end in failure. An hourâs professional consultation is a very worthwhile investment. A good building architect should charge and similarly so should âa goodâ horticulturist. Do be careful however, not to tell the consultant/ designer, you are paying, the garden design he or she should draw for you and the names of the plants you like. It is better to describe the general feel or concept you have in mind. Their opinion may not be yours but is most probably based on good reason and experience. Even if you do feel yourself to be âgreen fingeredâ, itâs always helpful to look at other gardens in the area and see whatâs doing well there! With every garden, remember that a proportion of plants and plans falter at the starting line so allow for all eventualities before you start.
Most of you reading this article will be in the process of either considering or starting to build soon. If so, you should be planning your garden now as well. When machinery is on site movement of soil is done at no extra cost and, more importantly, soil is not removed and then reintroduced again unnecessarily at considerable expense. Here is where you consultant will pay dividends and almost as important, you may save yourself their fee and more.
What goes Where
As previously mentioned, soil and plant types can be categorised very simply into either ericaceous or acid loving, and non-ericaceous/ alkali or normal plants, when considered by soil type only. It is now other factors that must be taken into consideration. For example, the size and shape of your garden, whether in town or country, what surrounds it and the climatic conditions which affect it directly.
Next up is looking at what your family want. Be it lawn or the (improbable) âno maintenanceâ, from shelter to privacy, planting is something that will ease the mind and soften that symmetrical build that so often stands out from the natural landscape rather than blending in. I urge you to choose your outlay carefully, be a little adventurous, and to choose plants that will have a better chance of living.
There is no magic or mystery about gardening â it is just common sense. The âgreen fingerâ theory can be discredited, too, for through the ages there have been men with a special aptitude for certain jobs â whether making a violin or milking a cow; but this comes only after close application, and in this gardening is similar to any other job.
E. R. Janes The Flower Garden 1952
Garden design in Ireland has taken a different move recently. I worked in the trade for ten years before I felt comfortable putting pencil to paper and starting my design practice. Nowadays one can simply go to college, maybe do a garden show and start the business by selling drawings on paper. However, a design on paper does not ensure a well designed garden. A proper, full design service should follow some crucial steps.
The designer should:
Meet with the client and try to understand their personality, their lifestyle and their family way of living through the seasons. How much time they actually want to spend in the garden no matter the size, and whether they wish to spend time maintaining by simply cutting the grass, looking at their picturesque view or becoming heavily involved in a new daily lifestyle.
Designing a garden is a lot more than just drawing a pretty picture. It is a calculated reflection of ones personal lifestyle that the design professional must create. Whether that be an award winning and historical seventeenth century estate, an art-deco style house or a rural farm cottage, creating an inspiring landscape is borne from education, experience and, as important, a little soul.
It would be extremely difficult to describe how to landscape and design every garden within a few paragraphs, but what I can do is provide you with some good guidelines. The primary consideration for most people is the cost of a design service. The service itself is available at many levels and naturally depends on how much you want from your designer, to how much you have to invest in drawings. The cost will be based upon the degree of service you require.
Step 1: choose a garden designer based on reputation like commissioning an art piece and ask for an initial consultation. This part is not a tender process.
I spoke to a colleague friend of mine recently who told me he had done the finest design ever, according to his client. The project? a 10M x 6M garden. The design? all done in grass! The client in question had five children and two dogs. Not adventurous perhaps, but it sure suited their needs. A very different example was a client who worked in the tourism sector. He never had weekends off and always worked during the day. Here it was simply a case that the south facing garden/ sunniest spot rules logic went right off the drawing board. His need was for a garden that looked good early and late in the day.
Step 2: consider your family and lifestyle. Is there need for a play area, barbecue or somewhere to entertain?
One of the most important parts of all is how much of the day do you wish to spend in the garden? And Be honest. If a garden doesnât cost time then it will cost money and time is what people always forget to allow for. The biggest change in garden design recently is a request for bespoke manufactured outdoor buildings and vegetable patches. Fifty per cent of the vegetable patches are removed within the first two years! Usually I try to replace these with some fruit trees under-planted with herbs that will be used quite regularly.
Step 3: the costs of maintaining the design.
Most important of all are the surroundings. Whether it is a rural setting where you have inherited or maybe purchased a farm cottage, or a two bedroom town house in a ânewerâ village, all of the rules above still apply. Just as a large area of decking is out of place on an historic house, so is a Leyland hedge in a small urban or city garden. These are very golden, nee ethical rules we should all follow.
Space is a big commodity and as my Father would say, they donât make land in Ireland anymore. It does not however mean that the typical garden of your old family home must be crammed into your new, small suburban garden. As John Brooks said in The Small Garden:
âGardens first and foremost are for people, not plantsâ, and continues, âThe key to realising the potential of your small space, in both visual and practical terms, is design â this involves planning and styling your space so that it suits your way of life, as well as the character of your home and its surroundings.
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